I sing the
body electric,
The armies
of those I love engirth me and I engirth them,
They will
not let me off till I go with them, respond to them,
And
discorrupt them, and charge them full with the charge of the soul.
Was it
doubted that those who corrupt their own bodies conceal themselves?
And if those
who defile the living are as bad as they who defile the dead?
And if the
body does not do fully as much as the soul?
And if the
body were not the soul, what is the soul?
2
The love of
the body of man or woman balks account, the body itself balks account,
That of the
male is perfect, and that of the female is perfect.
The
expression of the face balks account,
But the
expression of a well-made man appears not only in his face,
It is in his
limbs and joints also, it is curiously in the joints of his hips and wrists,
It is in his
walk, the carriage of his neck, the flex of his waist and knees, dress does not
hide him,
The strong
sweet quality he has strikes through the cotton and broadcloth,
To see him
pass conveys as much as the best poem, perhaps more,
You linger
to see his back, and the back of his neck and shoulder-side.
The sprawl
and fullness of babes, the bosoms and heads of women, the folds of their dress,
their style as we pass in the street, the contour of their shape downwards,
The swimmer
naked in the swimming-bath, seen as he swims through the transparent
green-shine, or lies with his face up and rolls silently to and fro in the
heave of the water,
The bending
forward and backward of rowers in row-boats, the horseman in his saddle,
Girls,
mothers, house-keepers, in all their performances,
The group of
laborers seated at noon-time with their open dinner-kettles, and their wives
waiting,
The female
soothing a child, the farmer’s daughter in the garden or cow-yard,
The young
fellow hoeing corn, the sleigh-driver driving his six horses through the crowd,
The wrestle
of wrestlers, two apprentice-boys, quite grown, lusty, good-natured,
native-born, out on the vacant lot at sun-down after work,
The coats
and caps thrown down, the embrace of love and resistance,
The
upper-hold and under-hold, the hair rumpled over and blinding the eyes;
The march of
firemen in their own costumes, the play of masculine muscle through
clean-setting trowsers and waist-straps,
The slow
return from the fire, the pause when the bell strikes suddenly again, and the
listening on the alert,
The natural,
perfect, varied attitudes, the bent head, the curv’d neck and the counting;
Such-like I
love—I loosen myself, pass freely, am at the mother’s breast with the little
child,
Swim with
the swimmers, wrestle with wrestlers, march in line with the firemen, and
pause, listen, count.
3
I knew a
man, a common farmer, the father of five sons,
And in them
the fathers of sons, and in them the fathers of sons.
This man was
of wonderful vigor, calmness, beauty of person,
The shape of
his head, the pale yellow and white of his hair and beard, the immeasurable
meaning of his black eyes, the richness and breadth of his manners,
These I used
to go and visit him to see, he was wise also,
He was six
feet tall, he was over eighty years old, his sons were massive, clean, bearded,
tan-faced, handsome,
They and his
daughters loved him, all who saw him loved him,
They did not
love him by allowance, they loved him with personal love,
He drank
water only, the blood show’d like scarlet through the clear-brown skin of his
face,
He was a
frequent gunner and fisher, he sail’d his boat himself, he had a fine one
presented to him by a ship-joiner, he had fowling-pieces presented to him by
men that loved him,
When he went
with his five sons and many grand-sons to hunt or fish, you would pick him out
as the most beautiful and vigorous of the gang,
You would
wish long and long to be with him, you would wish to sit by him in the boat
that you and he might touch each other.
4
I have
perceiv’d that to be with those I like is enough,
To stop in
company with the rest at evening is enough,
To be
surrounded by beautiful, curious, breathing, laughing flesh is enough,
To pass
among them or touch any one, or rest my arm ever so lightly round his or her
neck for a moment, what is this then?
I do not ask
any more delight, I swim in it as in a sea.
There is
something in staying close to men and women and looking on them, and in the
contact and odor of them, that pleases the soul well,
All things
please the soul, but these please the soul well.
5
This is the
female form,
A divine
nimbus exhales from it from head to foot,
It attracts
with fierce undeniable attraction,
I am drawn
by its breath as if I were no more than a helpless vapor, all falls aside but
myself and it,
Books, art,
religion, time, the visible and solid earth, and what was expected of heaven or
fear’d of hell, are now consumed,
Mad
filaments, ungovernable shoots play out of it, the response likewise
ungovernable,
Hair, bosom,
hips, bend of legs, negligent falling hands all diffused, mine too diffused,
Ebb stung by
the flow and flow stung by the ebb, love-flesh swelling and deliciously aching,
Limitless
limpid jets of love hot and enormous, quivering jelly of love, white-blow and
delirious juice,
Bridegroom
night of love working surely and softly into the prostrate dawn,
Undulating
into the willing and yielding day,
Lost in the
cleave of the clasping and sweet-flesh’d day.
This the
nucleus—after the child is born of woman, man is born of woman,
This the
bath of birth, this the merge of small and large, and the outlet again.
Be not
ashamed women, your privilege encloses the rest, and is the exit of the rest,
You are the
gates of the body, and you are the gates of the soul.
The female
contains all qualities and tempers them,
She is in
her place and moves with perfect balance,
She is all
things duly veil’d, she is both passive and active,
She is to
conceive daughters as well as sons, and sons as well as daughters.
As I see my
soul reflected in Nature,
As I see
through a mist, One with inexpressible completeness, sanity, beauty,
See the bent
head and arms folded over the breast, the Female I see.
6
The male is
not less the soul nor more, he too is in his place,
He too is
all qualities, he is action and power,
The flush of
the known universe is in him,
Scorn
becomes him well, and appetite and defiance become him well,
The wildest
largest passions, bliss that is utmost, sorrow that is utmost become him well,
pride is for him,
The
full-spread pride of man is calming and excellent to the soul,
Knowledge
becomes him, he likes it always, he brings every thing to the test of himself,
Whatever the
survey, whatever the sea and the sail he strikes soundings at last only here,
(Where else
does he strike soundings except here?)
The man’s
body is sacred and the woman’s body is sacred,
No matter
who it is, it is sacred—is it the meanest one in the laborers’ gang?
Is it one of
the dull-faced immigrants just landed on the wharf?
Each belongs
here or anywhere just as much as the well-off, just as much as you,
Each has his
or her place in the procession.
(All is a
procession,
The universe
is a procession with measured and perfect motion.)
Do you know
so much yourself that you call the meanest ignorant?
Do you
suppose you have a right to a good sight, and he or she has no right to a
sight?
Do you think
matter has cohered together from its diffuse float, and the soil is on the
surface, and water runs and vegetation sprouts,
For you
only, and not for him and her?
7
A man’s body
at auction,
(For before
the war I often go to the slave-mart and watch the sale,)
I help the
auctioneer, the sloven does not half know his business.
Gentlemen
look on this wonder,
Whatever the
bids of the bidders they cannot be high enough for it,
For it the
globe lay preparing quintillions of years without one animal or plant,
For it the
revolving cycles truly and steadily roll’d.
In this head
the all-baffling brain,
In it and
below it the makings of heroes.
Examine
these limbs, red, black, or white, they are cunning in tendon and nerve,
They shall
be stript that you may see them.
Exquisite
senses, life-lit eyes, pluck, volition,
Flakes of
breast-muscle, pliant backbone and neck, flesh not flabby, good-sized arms and
legs,
And wonders
within there yet.
Within there
runs blood,
The same old
blood! the same red-running blood!
There swells
and jets a heart, there all passions, desires, reachings, aspirations,
(Do you
think they are not there because they are not express’d in parlors and
lecture-rooms?)
This is not
only one man, this the father of those who shall be fathers in their turns,
In him the
start of populous states and rich republics,
Of him
countless immortal lives with countless embodiments and enjoyments.
How do you
know who shall come from the offspring of his offspring through the centuries?
(Who might
you find you have come from yourself, if you could trace back through the
centuries?)
8
A woman’s
body at auction,
She too is
not only herself, she is the teeming mother of mothers,
She is the
bearer of them that shall grow and be mates to the mothers.
Have you
ever loved the body of a woman?
Have you
ever loved the body of a man?
Do you not
see that these are exactly the same to all in all nations and times all over
the earth?
If any thing
is sacred the human body is sacred,
And the
glory and sweet of a man is the token of manhood untainted,
And in man
or woman a clean, strong, firm-fibred body, is more beautiful than the most
beautiful face.
Have you
seen the fool that corrupted his own live body? or the fool that corrupted her
own live body?
For they do
not conceal themselves, and cannot conceal themselves.
9
O my body! I
dare not desert the likes of you in other men and women, nor the likes of the
parts of you,
I believe
the likes of you are to stand or fall with the likes of the soul, (and that they
are the soul,)
I believe
the likes of you shall stand or fall with my poems, and that they are my poems,
Man’s,
woman’s, child’s, youth’s, wife’s, husband’s, mother’s, father’s, young man’s,
young woman’s poems,
Head, neck,
hair, ears, drop and tympan of the ears,
Eyes,
eye-fringes, iris of the eye, eyebrows, and the waking or sleeping of the lids,
Mouth,
tongue, lips, teeth, roof of the mouth, jaws, and the jaw-hinges,
Nose,
nostrils of the nose, and the partition,
Cheeks,
temples, forehead, chin, throat, back of the neck, neck-slue,
Strong
shoulders, manly beard, scapula, hind-shoulders, and the ample side-round of
the chest,
Upper-arm,
armpit, elbow-socket, lower-arm, arm-sinews, arm-bones,
Wrist and
wrist-joints, hand, palm, knuckles, thumb, forefinger, finger-joints,
finger-nails,
Broad
breast-front, curling hair of the breast, breast-bone, breast-side,
Ribs, belly,
backbone, joints of the backbone,
Hips,
hip-sockets, hip-strength, inward and outward round, man-balls, man-root,
Strong set
of thighs, well carrying the trunk above,
Leg fibres,
knee, knee-pan, upper-leg, under-leg,
Ankles,
instep, foot-ball, toes, toe-joints, the heel;
All
attitudes, all the shapeliness, all the belongings of my or your body or of any
one’s body, male or female,
The
lung-sponges, the stomach-sac, the bowels sweet and clean,
The brain in
its folds inside the skull-frame,
Sympathies,
heart-valves, palate-valves, sexuality, maternity,
Womanhood,
and all that is a woman, and the man that comes from woman,
The womb,
the teats, nipples, breast-milk, tears, laughter, weeping, love-looks, love perturbations
and risings,
The voice,
articulation, language, whispering, shouting aloud,
Food, drink,
pulse, digestion, sweat, sleep, walking, swimming,
Poise on the
hips, leaping, reclining, embracing, arm-curving and tightening,
The
continual changes of the flex of the mouth, and around the eyes,
The skin,
the sunburnt shade, freckles, hair,
The curious
sympathy one feels when feeling with the hand the naked meat of the body,
The circling
rivers the breath, and breathing it in and out,
The beauty
of the waist, and thence of the hips, and thence downward toward the knees,
The thin red
jellies within you or within me, the bones and the marrow in the bones,
The
exquisite realization of health;
O I say
these are not the parts and poems of the body only, but of the soul,
O I say now
these are the soul!
I Sing The Body Electric, by Walt Whitman
5 comentários:
Lana's influence is real and slaying
fizeste bem, elizabete
we the beatniks of portugal cause we're awesome but nobody cares
devo dizer-te que o teu foi um dos melhores comentários que já recebi neste blog. é uma alegria ler coisas assim <3
R: Não sei querida tinha essa sensação.
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Quando lia contos de fadas, eu imaginava que aquelas coisas nunca aconteciam, e agora cá estou no meio de uma! Deveria haver um livro escrito sobre mim, ah isso deveria! E quando for grande, vou escrever um...
L.C.